It is not a synthesizer that intimidates its use, but in spite of offering a very recognizable global structure, it floods with details in each element that go out of the most traveled and allow to accumulate many simultaneous actions.Razor Lead contains 64 zingy main-line patches that have been designed to add some serious meat to your tracks, created by hugely talented sound designers Maxime Audfray, Gustavo Bravetti, New Loops, and Twolegs Toneworks, Razor Lead will add dozens of powerful new sounds to your sonic arsenal.
No soothing pads or quirky sequences here, just devastating, nasty leads to belt out your hooks, riffs, and melodies. Obviously the perfect choice for musicians looking to add an aggressive edge to their electronic music, the patches in Razor Lead are universally useful for everything from pop to rock, metal and industrial. Smart-mapped macro controls and sound designer notes on every patch help you really understand whats going on in the sound, and give you the confidence to tweak it on the fly to suit your track. Percussive Drive features 64 varied Pigments presets from the masterful hands of Maxime Audfray, Gustavo Bravetti, New Loops, and Twolegs Toneworks, all with a really interesting unique character, but all of them packing some serious punch. Inside the pack, youll find crashing one-hit sounds, new exciting percussive instruments, awesome patterns, tight sequences, as well as one-button grooves that are good enough to be standalone tracks. If you want to add an element of whats that sound to your tracks, Percussive Drive is a great place to start. A superb collection of attitude-packed drum and perc sounds that will inspire you to create, form the backbone of your new music, and keep your audience on their toes. Crisp wavetable, massive analog, all with expert notes on sound design and tweaking tips, so you can bring them to life thanks to the smart-assigned macros. Yet there is still enough depth and thoughtful, musical features to keep the most demanding sound designer happy. Arturia Software Of TheirHatts off to Arturia - I hope they will continue to develop software of their own design. A pleasure to use thanks to its excellent design and graphical interface. Hats off to Arturia for successfully expanding into a new instrument category (.) Pigments takes Wavetable synths to a new, more refined and mature level than any other implementation Ive seen to date. Pigments easily earns a place at the top table of synthesis. Its hard to imagine how Arturia could have made it any easier to use - the work it has done in that regard is hugely commendable. With its voluminous, expressive sound and inspiring interface and architecture, Arturias first homegrown synth is a marvel. Theyve put a lot of thoughts and expertise in software and hardware synth development to create a graphically well thought out interface. Rarely it was possible before to create or reroute such complex modulations so quickly, rarely was the introduction to the. The surface is exemplary large and clear, the parameters are not hidden. It offers many possibilities for changing the sound, but the user interface remains very clear. ![]() Its deeply powerful and results in some highly complex and compelling sounds. And were clearing at a new generation of advanced soft synths. Then on top of all of that, its not an exaggeration to say that Pigments is really a synth combined with a sequencer. The polyphonic sequencerarpeggiator is full of trigger options and settings that mean its totally possible to fire up Pigments in standalone mode and make a whole piece, just as you would with a full synth workstation or modular rig.
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